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Witness

A seed by: Heather Hermant
Project: River Stories/Ocean Song
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Heather is an interdisciplinary performing artist-scholar, queer settler and parent based in Toronto, Treaty 13 Dish with One Spoon territory. Her work has explored the interface between archive, land, body, and performance. Since 2005 she has been collaborating with Diane Roberts, with whom she co-founded backforward collective with Danielle Smith in 2007 as an incubator of Arrivals-related pedagogies and new works. She was an Associate Artist at urban ink productions, Vancouver from 2008 to 2014; and has co-facilitated Arrivals training with Diane across Canada. Her interdisciplinary performance work ribcage: this wide passage, directed by Diane Roberts, was the first work seeded through the Arrivals process through to production, performed in French as thorax : une cage en éclats. The show has been performed at Montréal Arts Interculturels; AKI Studio Theatre, Toronto; Tremors Festival and Firehall Arts Centre, Vancouver. Also seeded in the Arrivals process, Heather’s one-to-one performance Aujourdhuy/ This Day 1738 was performed at Rhubarb Festival, Buddies in Bad Times Theatre, Toronto. Heather has taught community-engaged research and community-engaged practice at University of Toronto and York University. Her PhD in Gender Studies from Utrecht University, The Netherlands, was catalyzed by the Arrivals process and in part centres performance practice as historical research methodology.

Disciplines:

Theatre, Interdisciplinary Arts, Arts for Social Change, Film/Video, Spoken Word, Poetry
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This is an original seed

I participated in the SeedPool digital residency more than two years into severe Long Covid.

I had spent the first year mostly bedbound, intolerant of sensory input and the smallest exertion, and the entirety of those two years mostly housebound. Vibration, sound, light, movement, interaction took an enormous toll. As chronically ill people have always had to do, I learned to ration the ordinary tasks of being. Mostly unthinkable were the tools and practices integral to my artistic life: voice, still and moving image, movement—in space, through body, over land, in relation to others—writing, composing, editing, collaborating.

Creative ideas were alive in my mind but having them and letting them go was all I could do.

The SeedPool residency gave me space to live an artistic process with a disabled ancestor through my own states of debility using nothing more than my quietened voice, unedited, in voice memos. It was more profound and transformative than I could ever have imagined. These selfies were taken in the first days of that SeedPool Spring.

©Heather Hermant, Witness, 2024

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