SeedPool Gallery

Welcome to the SeedPool Gallery where Arrivals Legacy Project Alumni seed new ideas, works and collaborations

Seed Type
Disciplines
Disciplines
Sc̓rsilməlx-3
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collaborations
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Sc̓rsiłməlx( Syilx) / Oregon Grape Bush (English) Medicine A traditional healer, Sc̓rsiłməlxin the Syilx language of this territory of the Okanagan First Nation, is a blood tonic, an antimicrobial, a laxative, and can ease stomach irritability.
Clelia
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I felt compelled to be in the forest, my grand mother and great grand mother, on my mother’s side speaking to me. So much sorrow in my heart from many recent deaths. This sorrow deeply connects to the losses that these two ancestors in particular had to endure. Where to find faith and trust?
Smile
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matrilineal pain
IMG_4739
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1 Collaboration(s)
1. A poem weaving my ancestor’s experiences in the Red River settlement, including their involvement in the Riel Resistance and and my own experiences teaching inside a federal prison. 2. Painting / Drawing: Ancestral Figure and Child – Reaching Back
IMG_20221014_062639_0713
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The 3 small bata drums (Omele Bata) with 3 different seeds embedded in them i.e 3 different tones: one has “do” tone, the 2nd drum has “re” tone while the 3rd drum has “mi” tone. This 3 drums were played in unism by the drummer to produce a beautiful sound / tones: Lesson: live in peace & unity with
ArtofPeacephoto
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A team guided by Diane Roberts and Gerry Trentham came together to first participate in an Arrivals Personal Legacy Process and then follow with an interdisciplinary creation period using Gerry’s Fields process and Art of Peace aesthetic within Kaersten Colvin-Woodruff’s sculptural landscape.
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Seed-1-FINDMUTYA
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Arrivals Legacy Project SeedPool Artist – FIND MUTYA – Seed 1 Original WIRE-SOUND-VIDEO – Mutya Macatumpag *My lola (grandmother) passed away when my father was young. We never had the chance to meet. This is a gift from me to, Felicia Gabuya Macatumpag in my thoughts and heart, connected.
86D78182-6137-4678-9337-3F8FE9D0AEE8-3-1
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2 Collaboration(s)
How did no one tell me we are made of mountains? What a secret to keep.
mq2
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This seed titled, “What will Come From the Ashes?” functions best with an awareness of the content of the first seed I uploaded titled “May I Keep Her Floating?”, but does not fully rely upon the first seed. The two of them can be considered independently from one another. In this seed, I use wat
Screen-Shot-2022-12-13-at-4.00.17-PM-1
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As a response to “What do you desire to hear, see, taste, smell, or touch, as you view this material?” I was inspired to eat rice. Next thing I knew, it had turned into a whole meal.
Container_Nov-29_JW-1
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from my work as a cofacilitator … musing on this concept and its metaphors, responding to some call within me to redefine it. that a container does not restrain or restrict. The soil is the container life grows from
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A poem exploring spirits. Originally published in Briarpatch Magazine, March 2021.
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0 Collaboration(s)
Tracing my nails, my great-grandmother’s feet, and the dances of our shared sacrum.
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Travelling between two worlds. The Sea, it’s history and my ability to stay the course.
TBHA-image-for-web
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This poem was sourced in Kingcome Inlet,BC and at an unknown river on the island of St. Vincent and the Grenadines.
IMG_3890
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A moment by the water in Belize
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collaborations
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ALPSP – Seed Collab # 2 My Throne – Lydie Dubuisson Dear Lydie, a flower for your throne. FINDMUTYA a felt pen flower drawing by hand, digitally embellished using milinote’s drawing tool.
IMG_1563
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A short video reflection on the shoreline in Nova Scotia.
ALPSP-SEED-2-1a-FIND-MUTYA
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ALPSP, Seed # 2 FIND MUTYA traversing the rockies, on my way home. What I am making… –Still Image Collage– FINDMUTYA
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