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Creating common ground for engagement with Adora Nwofor and Larissa Blokhuis

A seed by: Larissa Blokhuis
Project: MT/AT ToolKit - Creating common ground for engagement
Larissa-Blokhuis-portrait-2-by-Ailvi-Brar-small-
Larissa’s parents each immigrated to Canada as children, from Nederland and Jamaica (with Igbo ancestry). They met and married in Toronto, then moved to Calgary, where she was born and raised. In 2008, Larissa completed her BFA with a major in glass at the Alberta University of the Arts (formerly ACAD). In 2009, she moved to the coast temporarily to take a job as a glassblower on Granville Island. She has been Assistant Teacher at Red Deer College and Terminal City Glass Co-op. Larissa has exhibited extensively in Alberta and BC, and divides her time between Calgary, AB, and Vancouver, BC. In 2016, Larissa completed her first public art piece, “Love Your Neighbour, Love Your Ocean,” located at Vancity Branch 11, Vancouver, BC. In 2017, she joined the board of Curiosity Collider as Arts, Culture, + Collections Director. With new insights gained by working collaboratively, Larissa seeks opportunities to serve the artist community. She completed her first curatorial project with the Collider in 2018, called “Interstitial: Science Innovations by Canadian Women.” In 2018, Larissa decided to expand her artistic focus to include performance, and has been developing new methods of self expression. In 2023 after taking an Arrivals Legacy Project workshop, she began working with Kimmortal on an album of music.

Disciplines:

Visual Arts, Music, Interdisciplinary Arts, Arts for Social Change
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This is an original seed

Born and raised in Calgary, Adora Nwofor is a comedian, a stylist, an activist, an anthropologist, a mom, and the host of Calgary Art Development’s Living a Creative Life web series.  Her mother is Jamaican, and her father is Igbo.
www.youtube.com/@livingacreativelifecalgary

EDIT:

A response to the prompt:
Respecting African and Indigenous ways of knowing and being as a jump-off point for intercultural understanding; what metaphors of leadership, found in nature and in our origin stories can be applied and translated into effective and appropriate leadership structures?

Table of contents:
00:00 – 01:45 – Intro
01:45 – 02:52 – Seeking/finding, solutions without pathways
02:52 – 03:17 – Are the solutions desirable?
03:17 – 03:45 – Basic needs, outcome or interesting art?
03:45 – 04:28 – Calculated scarcity reduces creativity
04:28 – 05:04 – Igbo art is about cultural practices
05:04 – 08:16 – What does a leader look like in the creation of art? Two examples.
08:16 – 10:58 – “Default neutral human” is a fallacy, context is necessary for connection, audiences may be seeking transformation
10:58 – 12:40 – What does leadership look like? How would people who are not that “typical leadership” navigate [art] spaces?
12:40 – 13:41 – Theory and practice – What aspects of the theory can be reflected in the structure? What changes are needed?
13:41 – 14:16 – Leadership trust for artists
14:16 – 16:09 – Are we matching leaders with appropriate projects? Igbo community roles
16:09 – 18:30 – Igbo role of the Ada (first daughter) – based on the needs of the village, conversations. Role of leadership to make adjustments in decisions
18:30 – 19:22 – Leadership as part of process vs hierarchy
19:22 – 20:22 – Multiple mentors and perspectives
20:22 – 21:07 – ALP is primed for multiple forms of leadership
21:07 – 21:38 – Refocus and re-Indigenise
21:30 – 21:52 – Outro

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