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An Urban Libation; A Song in Stills

A seed by: Lydie Dubuisson (She/Her)
Project: MT/AT ToolKit - Understanding decolonisation in creative partnerships
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Lydie Dubuisson is a playwright, director, and curator from Tiohtià:ke/ Montreal. She studied theater and graduated with distinctions from Concordia University. Her work examines intersectionality, collective memory, rituals and multilingual creative processes. Dubuisson wrote QUIET/SILENCE (2018 Discovery Series – Black Theatre Workshop & Maison de la culture NDG), SANCTUARY/SANCTUAIRE (Black Theatre Workshop & Théâtre aux Écuries), SHARING OUR STORIES, TELLING OUR LIVES (Teesri Duniya Theatre), and she is a co-writer of BLACKOUT: THE CONCORDIA COMPUTER RIOT, (Tableau d’Hôte Theatre). She is currently writing a play about the Shelburne riots. She directed AFRODISIAQUE (Collectif Potomitan, Winner of Best Show at Zoofest OFFJFL 2022), RINGTONE (Imago Theatre & Montréal Art Interculturel), SHARING OUR STORIES, TELLING OUR LIVES (Teesri Duniya Theatre), AFRODRAG: PAST, PRESENT & FUTURE (Phi Center) and JANICE LA REINE AUX AILES D’ÉCAILLES (Places des Arts). Lydie Dubuisson is an Artistic Associate at Black Theatre Workshop since 2020. She is also the curator of the dual digital installation, THE BELONGING PROJECTS commissioned by the Black Community Resources Center. Lydie has been working closely with Arrivals Legacy Project since 2020 and the ALP process has greatly impacted her creative process and self-assertiveness.

Disciplines:

Music, Theatre, Spoken Word, Storytelling, Literature, Poetry
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This is an original seed

To take colonization out of my art, I wanted to peel off the different conventions of performance to embrace spontaneity.

It is about stepping as far away from a product with a market. Instead, all I need is a witness.

This video is called Urban Libation; A Song in Stills, a spontaneous expression of a song my grandmother could have taught me… To hear it, you had to be there.

Grann Charité, who I never met, is the inspiration for this seed. Last year, during the Prismatic Festival experience, I started my journey with my paternal grandmother, Grann Charité and her gestures never left. They resurfaced while I sang for this seed.

I took her to the ocean. She never saw the Atlantic but, I went so, she went. For these pictures, my feet aren’t in the ocean, but they are in water. 

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