FIND MUTYA – sculpture – vision – sound – edit – stumbled into the moon on my wanders, recorded impromptu full moon phone clips on Dec 15/16th, 2024 JUNE PEREA – still & moving images – vision collaborator

Offered without any desire to missionize or colonize your beliefs.

Meditation on these seeds as the connector between the land, the present moment, and my mother’s maternal lineage

Arrivals Legacy Project SeedPool Artist – FIND MUTYA – Seed 1 Original WIRE-SOUND-VIDEO – Mutya Macatumpag *My lola (grandmother) passed away when my father was young. We never had the chance to meet. This is a gift from me to, Felicia Gabuya Macatumpag in my thoughts and heart, connected.

Kim and Larissa discuss collaborating

This quilt represents the cycle of birth, death and the incredible power found in the human spirit to transform.

By Lydie Dubuisson. Created during the Arrivals’ Seedpool; Moving Together Arriving Together residency at Prismatic Arts Festival 2023 in Kjipuktuk/Halifax.

This is a poem inspired by Sarah Rossy’s poem “Eat the Fruit” and connects with a drawing I did of my ancestor during the Ask the Mountains online arrivals process in 2022.

ALPSP – Seed Collab # 2 My Throne – Lydie Dubuisson Dear Lydie, a flower for your throne. FINDMUTYA a felt pen flower drawing by hand, digitally embellished using milinote’s drawing tool.

Zainab and Larissa share some ideas.

During my 4-month ultrasound, my doctor informed me that my baby seed girl was in prayer pose.

Song demo. Harp and voice.

i sat by the red sea in 2023 the waters & the aliveness within healed my body-spirit this is some of what they spoke to & through me

Images created during our Seedpool; Moving Together Arriving Together residency at Prismatic Arts Festival 2023 in Kjipuktuk/Halifax. Poetry from Arrivals 2024

How did no one tell me we are made of mountains? What a secret to keep.

This video was shot in two parts. The first, my feet on the shores of Balliceaux Island, Saint Vincent and the Grenadines (Yuremein) where the Garifuna were imprisoned before being deported to Honduras in 1797. The second took place in Roatan, Honduras, the place of arrival after the exile.

What the Ancestors taught me about leadership.

“To hear it, you had to be there,” quote from Lydie’s Seed.

Shyamali Khastagir was an extraordinary painter and activist. She is also, simply, my Mashi (aunt). This is one of my attempts to paint like her. This day I was just trying to draw eyes and find the flow of lines. When I looked closer, there was so much more.