Every seed has a source… And it reproduce new seeds like itself

The body as land.

Adora and Larissa discuss the arts

Image of a seed cycle of life.

Braided and Spiraled wire structure suspended on the land on a cold winters night. My sister June is receiving these still images and video images, that I am directing her to take for the first time. This collaboration reminds me about our connections in these wild webs we weave together/apart.

Whether it’s a missing Indigenous woman, a 2-Spirit, a trans person, a Palestinian baby buried alive, or a loved one, this song is to help you grieve and heal.

what do we reach towards? what is drawn to us?

What the Ancestors taught me about leadership.

A poem exploring spirits. Originally published in Briarpatch Magazine, March 2021.

If we only ever collaborate in english, what meanings will be unavailable to us?

A moment by the water in Belize

Two key ideas foundational to developing policies & structures in organizations that work across cultures

This poem was sourced in Kingcome Inlet,BC and at an unknown river on the island of St. Vincent and the Grenadines.

A collaborative Seed made by Jiv Parasram, Asitha Tennekoon, and Anju Singh.

“To hear it, you had to be there,” quote from Lydie’s Seed.

Created during the Arrivals’ Seedpool; Moving Together Arriving Together residency at Prismatic Arts Festival 2023 in Kjipuktuk/Halifax. Inspired by Anju’s sewing machine…

A Critical fabulation to revisit a story we tell haitian children to scare them. A story of mercy. A risk to be taken in kreyol only.

This seed titled, “What will Come From the Ashes?” functions best with an awareness of the content of the first seed I uploaded titled “May I Keep Her Floating?”, but does not fully rely upon the first seed. The two of them can be considered independently from one another. In this seed, I use wat

Drums & Vocables Composer: Mshkiki Gitikaan Kwe Performers: Healing With Drums